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	<title>Private Film Consultant, Film Coach, Private Filmmaking Consultant and Private Film School</title>
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	<description>Author, Filmmaker, Educator, Private Filmmaking Consultant, Entertainment Industry Legal Consultant and Expert Witness.   Helping Writers, Actors and Filmmakers Achieve Their Goals</description>
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		<title>On Being a Producer</title>
		<link>http://ericsherman.com/672/on-being-a-producer/</link>
		<comments>http://ericsherman.com/672/on-being-a-producer/#comments</comments>
		<pubDate>Wed, 22 Feb 2012 22:25:15 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://ericsherman.com/?p=672</guid>
		<description><![CDATA[ON BEING A PRODUCER Of all the major jobs on a movie, there are more questions about “producers” than any other. &#160; Who and what, exactly , is a producer? &#160; There are roughly three categories:  1.  the “b.s.” artist (i.e., he/she who has never produced anything); 2. the entrepreneur (i.e., he who knows some [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>On Being a Director</title>
		<link>http://ericsherman.com/666/on-being-a-director/</link>
		<comments>http://ericsherman.com/666/on-being-a-director/#comments</comments>
		<pubDate>Sun, 12 Feb 2012 04:17:38 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://ericsherman.com/?p=666</guid>
		<description><![CDATA[“Director” comes from a Latin word in the “rex,” or “king” family. So, a director is the king (or queen) of a movie set &#8211; no kiddin’, for real. Benevolent kings tend to be loved by their people. Bad kings do not. Directors manipulate space, time, energy and matter to create universes. Kind of like [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What is an Expert Witness?</title>
		<link>http://ericsherman.com/648/what-is-an-expert-witness/</link>
		<comments>http://ericsherman.com/648/what-is-an-expert-witness/#comments</comments>
		<pubDate>Fri, 25 Nov 2011 05:12:24 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://ericsherman.com/?p=648</guid>
		<description><![CDATA[Some of you have asked, “What is an expert witness?” since this is a service I offer. According to the legal dictionary, an expert witness is, “a witness who has knowledge beyond that of the ordinary lay person enabling him/her to give testimony regarding an issue that requires expertise to understand. “Experts are allowed to [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why I&#8217;m A Consultant</title>
		<link>http://ericsherman.com/640/why-im-a-consultant/</link>
		<comments>http://ericsherman.com/640/why-im-a-consultant/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 15:27:40 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://ericsherman.com/?p=640</guid>
		<description><![CDATA[The dictionary says that a consultant is one who provides expert or professional advice. When I decided to dedicate my life to films &#8211; making them and assisting others to make them &#8211; I discovered that there were VERY few, if any, stable pieces of information. I read more than 100 biographies and autobiographies of [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>INTERVIEW WITH PETER DEKOM &#8211; PART 3</title>
		<link>http://ericsherman.com/627/interview-with-peter-dekom-part-3/</link>
		<comments>http://ericsherman.com/627/interview-with-peter-dekom-part-3/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 10:33:29 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

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		<description><![CDATA[Here is the much-awaited third part of my interview with Peter Dekom, entertainment attorney extraordinaire.  Make sure to read Parts 1 and 2 on my website, www.ericsherman.com. &#160; Q.  Do you think you can design movies for audience segments other than the most usual ticket-buyers, 15-25 years old? &#160; A.  There’s a big problem today.  It used [...]]]></description>
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		<title>How I Got Into The Film Business</title>
		<link>http://ericsherman.com/620/how-i-got-into-the-film-business/</link>
		<comments>http://ericsherman.com/620/how-i-got-into-the-film-business/#comments</comments>
		<pubDate>Wed, 12 Oct 2011 02:25:43 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://ericsherman.com/?p=620</guid>
		<description><![CDATA[HOW I GOT INTO THE FILM BUSINESS or A MOVIE SAVED MY LIFE Many of my friends, clients and students have asked me how and why I got into the film business. My usual answer is that “a film saved my life.” Here’s the story - Summer of 1964 &#8211; I was undergoing the break-up [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>INTERVIEW WITH PETER DEKOM &#8211; PART 2</title>
		<link>http://ericsherman.com/613/interview-with-peter-dekom-part-2/</link>
		<comments>http://ericsherman.com/613/interview-with-peter-dekom-part-2/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 00:55:02 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://ericsherman.com/?p=613</guid>
		<description><![CDATA[We had an overwhelmingly positive response to the first part of the interview with Peter Dekom, entertainment attorney extraordinaire!  Here’s Part 2. DO PEOPLE STILL GO TO MOVIES BECAUSE OF AN ACTOR? I think they have to fall in love with the character the actor’s playing.  What you’re getting is people sitting in a movie [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>How To Get Into Film School</title>
		<link>http://ericsherman.com/605/how-to-get-into-film-school/</link>
		<comments>http://ericsherman.com/605/how-to-get-into-film-school/#comments</comments>
		<pubDate>Fri, 23 Sep 2011 00:09:21 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://ericsherman.com/?p=605</guid>
		<description><![CDATA[No college subject across the U.S. has been growing faster over the past decade than film and video.  There are more schools that offer film study programs; there are more classes per school; and there are more students per class. For the first time in the history of these media, one’s college credentials are actually [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>INTERVIEW WITH PETER DEKOM &#8211; PART 1</title>
		<link>http://ericsherman.com/598/interview-with-peter-dekom-part-1/</link>
		<comments>http://ericsherman.com/598/interview-with-peter-dekom-part-1/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 03:49:17 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://ericsherman.com/?p=598</guid>
		<description><![CDATA[My next few emails will contain snippets of a lunchtime talk I recently had with Peter Dekom. Peter was a classmate of mine at Yale (‘68), and we’ve stayed in touch all these years.  He has become an entertainment attorney extraordinaire, and he’s always been a true lover of movies.  (Do a Google search on [...]]]></description>
		<wfw:commentRss>http://ericsherman.com/598/interview-with-peter-dekom-part-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What It Takes To Win</title>
		<link>http://ericsherman.com/596/what-it-takes-to-win/</link>
		<comments>http://ericsherman.com/596/what-it-takes-to-win/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 03:46:49 +0000</pubDate>
		<dc:creator>Eric Sherman</dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://ericsherman.com/?p=596</guid>
		<description><![CDATA[As I suspected, I inadvertently omitted two more winners &#8211; Erik Anderson and YC Tom Lee. What does it take to achieve this caliber of filmmaking:  first, of course, the desire to communicate something with moving visual images; second, the know-how to translate from concept to the screen; and third, the determination that what you [...]]]></description>
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